![]() If the underlaying chord was a minor chord (Am or Am7) than this 3 would clash with the flat 3 of the Am7. If I understand you correct with the I-chord you can play the 3 because the underlaying chord is a major chord (A or A7). The examples given name the note reached if one starts on C, and goes up the named interval.Thanks again Brian for your wonderful lesson. (Please see Beginning Harmonic Analysis for more on that subject.) ![]() That reason sometimes has to do with subtle differences in the way different written notes will be interpreted by performers, but it is mostly a matter of placing the notes correctly in the context of the key, the chord, and the evolving harmony. Always classify the interval as it is written the composer had a reason for writing it that way. A major third could be written as a diminished fourth, for example, or a minor second as an augmented prime. In fact, because of enharmonic spellings, the interval for any two pitches can be written in various ways. You have probably noticed by now that the tritone is not the only interval that can be "spelled" in more than one way. In Western Music, this unique interval, which cannot be spelled as a major, minor, or perfect interval, is considered unusually dissonant and unstable (tending to want to resolve to another interval). ![]() Both are six half-steps, or three whole tones, so another term for this interval is a tritone. As mentioned above, the diminished fifth and augmented fourth sound the same.
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